Course XI - Teaching 2: Parts and Music Vocalization Tones

Prayers and vocal formulae preserved by Holy Texts are divided into seven parts, but only three of them are used.
The first part is a group of invocations, prayers and requests addressed by the students to Supreme Powers, Masters and Divinity.
They recite them in choir with certain group of voices sustained by the music note Fa, invariably, in Gregorian chant style.
The vibration of these words produces around those who recite them a magnetic wave reflecting the Great Current although comes not into direct contact with it.
It is the entreaty of the individual soul addressed to the Divine Mother of the Universe. It is the effort of an energy united with other similar energies in order to reach the Cosmic Energy.
The result of this vocalization is always beneficial. It prepares the soul for devotion, absorption, meditation and good works. It purifies deeds of ours and others, and attracts the Masters’ blessing to the individual being.
The second part is a list of hymns.
The first in rank among the disciples, or the eldest Son, recites the words of the hymn, and the rest reply in choir, keeping the same tone.
They sing it three times: first, vocalized in Si flat; second in Si natural, and third, in Do.
These hymns are seven, and respectively belong to every one of the Ethereal Wheels.
The vocalization of these hymns influences these Centers; but the last hymn, “Horushatum Om”, the Liberation Hymn, awakens the energy of the seven Centers until attaining the Crown Center.
One should underline the result obtained by reciting these words for purifying Centers of Power. The stronger repetition of these hymns, the higher is the contact with the Centers by him who modulates them in accordance with those Centers of the Solar system on which he dwells.
The third part is a list of magical formulae.
These formulae can be used only by those who are authorized.
The transmission of these formulae, as the Holy Salutation, is made from person to person and not collectively.
The vocalization of these formulae is made with the music note Si: Male Voices and Female Voices.
It is a song tending always to the lowest music note. It is especially recommended for baritones or basses, and in case of women, for contraltos.
These Magical Formulae influence especially elementals, drive away astral phantoms, larvae and wandering specters, and control wild beasts.
The fourth part is the Blessing Formula.
The latter is a secret vocalization enumerating the names of this life and of past lives of a blessed Soul, and also his virtues.
The soul of the Master communicates internally by vibration with the soul of the disciple and fuses together with the Cosmic Energy.
The fifth part is the Curse Formula.
The sixth part consists in uttering the Holy Names.
When the students are prepared, they utter them by vocalizing the Holy Names.
The vocalization passes from one note to another, ascends from Do to Si, and later descends to Do.
This is made collectively or individually.
The seventh part is made of ecstatic vocalizations.
Mystics utter the latter when they are in ecstasy.
They make the soul one with God and only Masters of the Threshold possess their key.