Course XXV - Teaching 1: Death of Cleopatra

Before the beginning of this commentary on some lives of Piscean Initiates of Fire (an era in which the feeling would play so important part in the struggle between love and hatred), it will be proper to know the life of an Initiate of Fire, belonging to the pre-Christian era.
So we have chosen Cleopatra, one of the most controversial figures. Her name became synonym of perfidy, since gods always become demons in the hands of conquerors.
First of all in the end of the sign of Apis, the great expressive unity of leadership, culture and spirituality were affected as values, this brought about a crack, and the mind prevailed over the heart; this would manifest as cruelty and despotism, though the ancient force of power and courage remained.
Cleopatra incarnates the final Apis’ decay, and appears with every defect of her dying race. Her work consists in stoking up the flame in the last hour, passing the torch of the akashic annals and living her figure, with the coiled snake, engraved on history as a mysterious testimony of the past.
It is the solemn hour of death. But this time it is not only of a being but also of an Initiate Queen. It is the hour of Cleopatra’s death, and with her, death of the Egyptian kingdom, of the dynasty of the Ptolomei, and of the powerful race of the pyramids.
Alexandria that Cleopatra wanted to raise again as head of the East –an exemplar in the world, the last stronghold of the Hellenistic pharaohs conquered by the Romans– is surrounded by the ice of death. The bread of God and wisdom of books, incarnated by its grand library, does not exist anymore; flames of a great fire have carried it away.
Also the powerful beacon that illuminated its port and that was mysteriously put on by certain priestly formula of electric currents has been destroyed.
A funereal cloak covers the golden domes of the great city. Phantoms appear at the night announcing the near end, and seismic forces shake the earth for several days as the premonition of a terrible event. But is not the Queen’s despair a premonition of silent death? Now Cleopatra does not demand from the Kings of the West to join and help her defeating the Latin enemy; she neither plots any more nor tries lethal poisons, nor sticks the crown on her temples.
Her tranquility is too great to believe that she resigns to the defeat and loss of her kingdom.
Also her followers hear her whispering: “I neither will crawl behind him nor he will take me with his cohort”. Octavius would give her his right hand to enter Rome bringing the Queen of Egypt tied to his carriage, as Caesar had made with her sister Arsinoe.
But not with her; she will be queen until the end.
Still at the funereal evening, when she walks toward the Mausoleum to shut away totally dressed in blue –mourning clothes of Egypt’s widows–, a secret inspiration encourages her; that the spiritual power of the Pharaohs may prevail over the power of weapons and organization of the Romans.
Beside her she has the treasures of Egypt, and the body of her husband Mark Anthony and her most faithful friends and servants.
Kneeling over the sarcophagus that contains the body of the man that she loved so much, her tears are not of sorrow.
A woman like that cannot suffer from love.
She has an ideal; she just belongs to her ideal: the reconstruct the Egyptian greatness.
This was the great Cleopatra’s crime: to be faithful to her ideal.
She wanted to revive the power of the Egyptians, heirs of the Atlanteans; to re-establish the kingdom of wisdom of the spirit. But she failed.
To achieve it she underwent one thousand deaths and one thousand moral failures. He overcame feelings that make life pleasant or unpleasant; she reached the threshold of the mental divinity. But now she has to give way to the era of hatred and love.
In the last hour, the whole potentiality of her mental force is concentrated on this; whether to maintain her kingdom or to know how to die as Queen and voluntarily to go toward the astral world, with all the greatness of her power and cohort.
Spies of Octavius –who want to preserve her life at any cost– watch closely over her; but the Queen, calmly, thinks.
Educated by the Priests of Ammon, who know the most secret resources of a human body and also the art of dying, she cannot use its last resource because the initiation oath ties her to seven persons that in such case should die with her. If one dies, those seven people should die. Among other oaths there was a magnetic bond forbidding the use of destructive force in the physical system without the consent of those seven people at the same time.
She concentrates more and more.
Her last hope is the salvation of Egypt by his son Caesarion, but he escapes. But as soon as she realizes that he has been betrayed and killed, the Queen loses all hope of salvation.
She only has a last triumph: to die of psychical death.
The powerful and organized Romans never understood the mystery of Cleopatra’s death, had to agree and believe that she was poisoned by a snake, and later erected a statue representing the Initiate Queen with this attitude.
The point is that the faithful disciple of the Queen, when the Roman emissary came to claim for her, ironically replied: “She is dead; the divine serpent has bitten her”.
And truly she had died this way. The inner serpent of the vital power, driven by the conscious will of Cleopatra, had deadly hurt her along with her six companions.
Cleopatra died thus. So, conscious, she entered the kingdom of shadows along with her royal cohort. But there is something to clear up. Where had she learnt the sublime mystery of conscious transmutation? She had been educated by priests in the Temple of Armakis, where the most ancient priestly college was preserved; this college would descend directly from ancient Atlantean priests.
If these priests were in the beginning staunch enemies of the Ptolomei and facilitated the death and misfortune of more than one person in this family, they had, however, to give up before its descendants that have been entirely adapted to Egyptian customs and, because of their domineering and vigorous spirit, were the only ones that were able to defend the staggering throne of the Pharaohs.
This is proven by the custom that they had adopted, entirely Egyptian and Pharaonic: marriage of siblings to rule the destiny of their kingdom.
Cleopatra, a reincarnation of the ancient Atlantean queen of Somamu, besides her excessive domineering ambition and extraordinary physical beauty, had seen with clarity that unless powerful efforts made by some of the leaders would impede it, Egypt was about to perish in the hands of the Roman Empire.
She made this supreme effort.
Her permanent motto was this: preservation the great Egypt as a whole or death by taking with her the dignity and grandeur of the dead kingdom.
From fourteen years of age she was educated in the Temple, where she learnt secret doctrines about killing enemies and self-destruction if necessary. In short: she received the keys to life and death. The high priest of Armakis, who taught her the secret, also has the key to the Tabernacle where the intact treasures of Ramses the Second are preserved and with them the curse against him who dares to touch them.
But how can a Queen without wealth conquer and confront the powerful Roman Empire?
She occupies the place of the High Priest and swears to use the treasure only for the greatness of Egypt. This action, despite its steady and idealistic inspiration, does not free her from the burden of evil forces coming from negative emanations surrounding the Pharaohs’ tombs.
And the day will come and she will use the treasures of the Temple to save desperately the heritage of the Ptolomei.
When Cleopatra fulfills this extreme deed, she and her cohort also take to the astral world the evil powers of the ancient race.
It is necessary to consider the Initiate of the Apis’ times under his two aspects: greatness in good and evil, but faithful, first of all to his Ideal.
Royally the Queen has prepared every detail for the last hour. She wears a royal cloak embroidered in yellow and white and studded with sapphires. On her head she wears her triple Pharaoh’s crown ruling over the world, the dead and the spirits.
She has instructed to lock hermetically every door of the mausoleum and now on her throne, her faithful disciples are around her.
Resolutely they are ready to go to the land of death. They look each other squarely in the eye and there is a soft tremor in all these mystical suicides. Slowly they start to fall asleep, invaded by the calm and pleasant sleep that announces the end.
Why do not they die yet?, a faithful disciple wonders; he is behind the door and expects the solemn hour. It is that the heedful consciousness is still traveling backward the course of their lives.
But they have finished. There is a shout, shake, final fall, smile… and nothing more.
The Queen has entered the region of shadows.
Her new kingdom is glimpsed beyond: it is the kingdom of peace.
Her entire cohort waits for her. The first to come is the High Priest of Armakis: “Oh Queen”, he says, “here I come to look for you and to do obeisance. Do you see, behind me, this infinite number of beings? They are your subjects that accompany you in your new kingdom. Your dream of power and greatness was not in vain. Here we will unite our forces, we will forge a new greatness and wisdom and when our time comes we will come back to Earth in order to achieve our dreams in a new world and with new people. We will forge a kingdom where the love of the Sons of the Fisherman does not mean contempt and humiliation, but beauty, power and grandeur”.